Cathedra Petri

Today, the Universal Church celebrates the Feast of the Chair of St. Peter, the Vicar of Jesus Christ and the Rock on whom the Church is built.

"Beátus es, Simon Bar Jona: quia caro et sanguis non revelávit tibi, sed Pater Meus, qui in Cœlis est. Et Ego dico tibí, quia tu es Petrus, et super hanc petram ædificábo Ecclésiam Meam, et portæ ínferi non prævalébunt advérsus eam. Et tibi dabo claves regni cælórum. Et quodcúmque ligáveris super terram, erit ligátum et in Cœlis: et quodcúmque sólveris super terram, erit solútum et in Cœlis."

"Blessed art thou, Simon Bar-Jona, because flesh and blood hath not revealed it to thee, but My Father Who is in Heaven: and I say to thee, that thou art Peter, and upon this rock I will build My Church, and the gates of hell shall not prevail against it; and to thee I will give the keys of the kingdom of Heaven; and whatsoever thou shalt bind upon earth, it shall be bound also in Heaven; and whatsoever thou shall loose on earth, it shall be loosed also in Heaven."

With these words, Christ Jesus conferred the Primacy to Simon-Peter whom His Holiness Pope Benedict XVI stands as his 264th successor.

I was going to do some exegesis of these words, but the Feast kinda crept up on me and I do not have the time. Instead, I'll leave you with these images of the altar of Chair of St. Peter in the Vatican Basilica.

From: 'St. Peter's - Guide to the Basilica and Square '
The apse is at the end of the central nave. In the center is the Altar of the Chair of Peter, a masterpiece which is unmistakably the work of Gian Lorenzo Bernini (1598-1659).

Every year on February 22, the Church celebrates the feast of the Chair of St. Peter, to commemorate St. Peter's teaching in Rome. Already in the second half of the 18th century an ancient wooden chair inlaid with ivory was venerated and traditionally held to be the Episcopal chair on which St. Peter sat as he instructed the faithful of Rome. In fact, it is a throne in which fragments of acacia wood are visible, which could be part of the chair of St. Peter, encased in oak and reinforced with iron bands. Several rings facilitated its transportation during processions. Pope Alexander VII commissioned Bernini to build a sumptuous monument which would give prominence to this ancient wooden chair. Bernini built a throne in gilded bronze, richly ornamented with bas-reliefs in which the chair was enclosed: two pieces of furniture, one within the other. On January 17, 1666 it was solemnly set above the altar.

The base of the altar is made of black and white marble from Aquitaine and red jasper from Sicily. Four gigantic statues (about 5 m. tall) in gilded bronze surround the Chair which looks almost as if it were suspended amidst the clouds. The two outer statues are figures of two Doctors of the Latin Church: St. Ambrose and St. Augustine; the two inner statues, with bare heads, are of two Doctors of the Greek Church: St. Athanasius and St. John Chrysostom. These saints represent the catholicity of the Church and at the same time, the consistency of the theologians' teaching with the doctrine of the Apostles.

Above the Chair are two angels bearing the tiara and keys, symbols of the Roman pontiff's authority. On the Chair, are three bas-reliefs picked out in gold, which refer to the same number of Gospel episodes: the Consignment of the keys, Feed my sheep, and the Washing of the feet.

The whole composition is crowned by the fantastic gilt and stucco Gloria peopled by a host of angels among rays of light and gigantic billowing clouds. In their midst is the precious window of Bohemian glass, divided into twelve sections as a tribute to the Twelve Apostles; a brilliant dove stands out against it, the symbol of the Holy Spirit, the soul of the Church which he never ceases to help and to guide. Vanvitelli decorated the vault with gilded stucco. In the three medallions are portrayed: the Consignment of the Keys, the Crucifixion of St. Peter and the Beheading of St. Paul.

From: 'Guide to Saint Peter's Basilica'
This structure is a brilliant creation by Bernini, designed to display the chair on which, according to ancient tradition, St. Peter sat and taught Roman Christians. Pope Alexander VII had the ivory-covered chair put into the gigantic bronze cathedra, with the statues of the Doctors of the Church, St. Ambrose and St. Augustine of the Roman Church and St. Athanasius and St. John Chrysostom of the Greek Church. The religious significance is extremely clear. The Doctors of the Church were always consistent with Peter's teachings as they expounded theological doctrine.

The gospel does not change because the Holy Spirit, portrayed as a dove flies along the span of the centuries, assisting and accompanying its church. The chair or cathedra of Peter symbolizes the perpetual continuity of the doctrine and its promise of infallibility. It triumphed over all heresies throughout the centuries.

The fine alabaster window, surrounded by golden clouds and angels flying between rays of light, casts a mystical warmth through the basilica, especially in the afternoon. It is divided into twelve sections, in homage to the twelve Apostles who carried the words of the Gospel throughout the world.

Here's the statue of St. Peter, with the feet worn away by centuries of pilgrims kissing his feet.

The statue is vested in cope and tiara during this feast and also for the Feast of Sts. Peter and Paul.

Here's the statue of St. Peter outside in the Piazza.

Pope Benedict XVI's address on the feast of the Chair of St. Peter
Date: 2006-02-22 VATICAN CITY
"A Privileged Sign of the Love of God" (Zenit.org).

Here is a translation of Benedict XVI's address at today's general audience, on the feast of the Chair of St. Peter.

Dear Brothers and Sisters! The Latin liturgy celebrates today the feast of the Chair of Peter. It is a very ancient tradition, witnessed in Rome since the end of the fourth century, which renders thanksgiving to God for the mission entrusted to the Apostle Peter and his successors.

"Cathedra" literally means the established seat of the bishop, located in the mother church of a diocese, which for this reason is called "cathedral," and it is the symbol of the authority of the bishop and, in particular, of his "magisterium," that is, of the evangelical teaching that he, insofar as a successor of the apostles, is called to guard and transmit to the Christian community.

When the bishop takes possession of the local Church that is entrusted to him, he, bearing the miter and the shepherd's crosier, sits on the cathedra. From that seat he will guide, as teacher and shepherd, the journey of the faithful in faith, hope and charity.

Which was, then, the "cathedra" if St. Peter? He, chosen by Christ as "rock" on which to build the Church (cf. Matthew 16:18), began his ministry in Jerusalem, after the ascension of the Lord and Pentecost. The first "seat" of the Church was the Cenacle, and in all probability in that room, where Mary, the Mother of Jesus, also prayed with the disciples, a special place was reserved for Simon Peter.

Subsequently, the see of Peter was Antioch, a city situated on the Oronte River in Syria, today Turkey, which at the time was the third metropolis of the Roman Empire after Rome and Alexandria in Egypt. Of that city, evangelized by Barnabas and Paul, where "for the first time the disciples were called Christians" (Acts 11:26), Peter was the first Bishop.

In fact, the Roman Martyrology, before the reform of the calendar, established also a specific celebration of the Chair of Peter at Antioch. From there, Providence led Peter to Rome, where he concluded with martyrdom his course of service to the Gospel. For this reason, the See of Rome, which had received the greatest honor, received also the task entrusted by Christ to Peter of being at the service of all the local Churches for the building and unity of the whole People of God.

In this way the See of Rome came to be known as that of the Successor of Peter, and the "cathedra" of its Bishop represented that of the apostle charged by Christ to feed all his flock. It is attested by the most ancient Fathers of the Church, as for example St. Irenaeus, bishop of Lyon, who in his treatise "Against Heresies" describes the Church of Rome as "greatest and most ancient, known by all; … founded and constituted at Rome by the two glorious Apostles Peter and Paul"; and he adds: "With this Church, because of her outstanding superiority, the universal Church must be in agreement, that is, the faithful everywhere" (III, 3, 2-3).

Tertullian, for his part, affirms: "How blessed this Church of Rome is! The Apostles themselves shed on her, with their blood, the whole of the doctrine" ("La Prescrizione degli Eretici," 36). The Chair of the Bishop of Rome represents, therefore, not only his service to the Roman community, but also his mission of guide of the whole People of God.

To celebrate the "Chair" of Peter, as we do today, means, therefore, to attribute to it a strong spiritual significance and to recognize in it a privileged sign of the love of God, good and eternal Shepherd, who wants to gather the whole of his Church and guide her along the way of salvation.

Among so many testimonies of the Fathers, I would like to refer to that of St. Jerome, taken from a letter of his to the Bishop of Rome, particularly interesting because he makes explicit reference in fact to the "chair" of Peter, presenting it as the safe harbor of truth and peace. Jerome writes thus: "I decided to consult the chair of Peter, where that faith is found exalted by the lips of an Apostle; I now come to ask for nourishment for my soul there, where once you received the garment of Christ. I follow no leader save Christ, so I enter into communion with your beatitude, that is, with the chair of Peter for this I know is the rock upon which the Church is built! ("Le Lettere," I, 15,1-2).

Dear Brothers and Sisters, in the apse of St. Peter's Basilica, as you know, is found the monument to the Chair of the Apostle, a mature work of Bernini, made in the shape of a great bronze throne, supported by the statues of four Doctors of the Church, two from the West, St. Augustine and St. Ambrose, and two from the East, St. John Chrysostom and St. Athanasius.

I invite you to pause before that evocative work, which today it is possible to admire decorated with so many candles, and pray in a particular way for the ministry that God has entrusted to me. Raising one's gaze to the alabaster glass window that opens precisely above the chair, invoke the Holy Spirit, so that he will always sustain with his light and strength my daily service to the whole Church. For this, as for your devoted attention, I thank you from my heart.

For those who are Papist to the core, let's end this post with a rousing rendition of 'Long Live the Pope!'

Long Live The Pope
The music can be found here.

Long live the Pope!
His praises sound
Again and yet again:
His rule is over space and time:
His throne the heart of men:
All hail! The Shepherd Pope of Rome,
The theme of loving song:
Let all the earth his glory sing
And heav’n the strain prolong.

Beleaguered by
By the foes of earth,
Beset by hosts of hell,
He guards the loyal flock of Christ,
A watchful sentinel:
And yet, amid the din and strife,
The clash of mace and sword,
He bears alone the Shepherd Staff,
The champion of the Lord.

Then raise the chant,
With heart and voice,
In Church & school & home:
"Long live the Shepherd of the Flock!
Long live the Pope of Rome!"
Almighty Father bless his work,
Protect him in his ways,
Receive his prayer, fulfill his hopes,
And grant him length of days!